Evoking the urban restlessness and pulsating life of São Paulo, filmmaker Caetano's unflinching drama focuses on those who inhabit the outskirts of an perpetually shifting metropolis. Newly freed from juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) faces a critical turning point; abandoned by his parents, the impressionable young man discovers refuge in the arms of others.
On an late-night excursion with his boisterous group of LGBTQ+ and gender non-conforming friends, Wellington meets Ronaldo (Ricardo Teodoro), a muscular, charming hustler over double his age. Illuminated by the flickering glow of a adult movie theater, their first meeting is sensuous and erotic, with an tinge of peril. Ronaldo promptly ushers Wellington to the underground scene of the sex trade and selling drugs.
The director portrays Wellington’s new life of crime with compassionate understanding rather than as a exploitative warning story. Now using the alias Baby, he engages in his paid liaisons with cocky bravado and endearing innocence. To his customers, Wellington lends not only his youth and his body, but also moments of care.
In the electrifying chaos of São Paulo, overflowing with crowded backstreets and brightly painted facades, there’s a persistent isolation, as unmoored souls hold fast to one another for temporary happiness.
"The urban landscape can be riddled with risk, yet they are where they can discover chosen kin, too."
Ronaldo is at once a romantic interest and a protective father figure to Wellington, but their bond is sabotaged by jealousy and financial instability. Intimidation from shady figures in the criminal underworld are overshadowed by the anxiety about institutional observation and jail time, symbolized by the constant sight of police officers making their rounds.
Baby is particularly impactful as a perceptive study of the disenfranchised individuals who have fallen through the cracks the established structure. The film ultimately serves as a heartfelt exploration into resilience, chosen family, and the pursuit of purpose within a unforgiving urban landscape.
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David Smith
David Smith
David Smith
David Smith